Eric Reitz is a writer, script coordinator, and writers' assistant who offers a variety of story notes and editing services. Most recently, a thriller miniseries pitch Eric helped edit and structure was ordered to pilot with an A-list actress attached. Eric is now helping research and edit that pilot. Other notable projects Eric has collaborated on include a comedy series set in the Manhattan art world being pitched that Eric edited and gave story notes on, and a former showrunner's dystopian drama that is in negotiations with several buyers, which Eric edited.
Eric has experience as a Script Coordinator/Writers' Assistant for BERLIN STATION (Epix), STILL STAR-CROSSED (Shondaland/ABC), and BULL (Amblin TV/CBS), as well as several years of production experience on shows like JESSICA JONES (ABC/Marvel for Netflix), SNL (NBC), THE MYSTERIES OF LAURA (WB for NBC), and ELEMENTARY (CBS).
If readers aren’t grabbed by your story in the first 15 pages, they may not keep reading. Submit the first 15 pages of your script and have a 15-minute story notes call with the executive of your choice. This call will help you create a strong opening/act one to keep readers going until THE END. Email firstname.lastname@example.org with any questions!
Submit your full script and receive an in-depth, one-hour private story notes call with an executive of your choice. You’ll receive specific suggestions on how to elevate your script's dialogue, structure, pacing, characterization, tone, and marketability. One-hour consultations are available for Features and TV. Email email@example.com with any questions!
Submit your full script and receive 2 pages of in-depth notes (no synopsis) on how to elevate your material so it's market ready. This executive will give you specific suggestions on how to elevate your script's dialogue, structure, pacing, characterization, tone, and marketability. Email firstname.lastname@example.org with any questions!
**Please note screenplays are limited to 120 pages maximum. Please contact email@example.com for pricing on a consultation for a screenplay exceeding 120 pages.
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